Characters make cameo appearances just because they can. You won't get any origin stories and all the fights are big, four-colour hero pose stuff. It's all done in true comic book style, too.
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It's the biggest X-Men movie put on screen. And "Apocalypse" can't be faulted for ambition. On paper, it flirts with the same problems that plagued the derided "X-Men 3: The Last Stand", but it still manages to pull together all the cameos, nods to previous films, ever-expanding cast, multiple character threads and apocalyptic stakes into something coherent. That's not to say "Apocalypse" isn't entertaining. Marvel & DC: Understanding comic book movies.Olivia Munn talks Psylocke and smart home.Oscar Isaac plays Apocalypse himself, but he's just another forgettable antagonist. The only problem is that we've had over a decade of superhero movies between "X2" and "Apocalypse", and good enough might not be good enough anymore. If you're not, you'll still find a few standout moments peppered throughout. If you're an X-men die-hard, there's a feast of fan service for the entire two-and-a-half-hour running time. Like his return to the franchise with 2014's "Days of Future Past", Singer has set his sights on one of the most famous comic book story lines in the X-Men canon. "X-Men: Apocalypse" is his latest spin behind the X-wheel. Between those two movies and the criminally underrated "Superman Returns", the dude understood superheroes. It was clear Singer knew what he was doing at the helm of the X-Men franchise. You can trace the lines directly to Christopher Nolan's Dark Knight trilogy and Marvel's Cinematic Universe. "X-Men", released in 2000, and "X2", the 2003 sequel, became the blueprint for the "realistic" superhero. Bryan Singer shaped the DNA of the modern comic book movie.
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